{"id":7938,"date":"2020-06-16T02:05:08","date_gmt":"2020-06-15T22:05:08","guid":{"rendered":"http:\/\/fedai.az\/?p=7938"},"modified":"2020-06-16T02:05:14","modified_gmt":"2020-06-15T22:05:14","slug":"t%c9%99brik-d%c9%99yan%c9%99t-osmanli-55","status":"publish","type":"post","link":"https:\/\/fedai.az\/?p=7938","title":{"rendered":"T\u018fBR\u0130K: D\u0259yan\u0259t Osmanl\u0131 — 55"},"content":{"rendered":"\n
\"img\"<\/figure>\n\n\n\n

«A\u011f \u015feir»d\u0259n ba\u015flanan yol…<\/strong><\/p>\n\n\n\n

D\u0259yan\u0259t Osmanl\u0131n\u0131n «H\u0259sr\u0259tin h\u0259zzi» \u015feirl\u0259r kitab\u0131n\u0131 \u00e7apdan \u00f6nc\u0259 oxumaq, tan\u0131\u015f olmaq imkan\u0131 qazand\u0131m v\u0259 d\u0259rhal da ekskl\u00fcziv yazmaq q\u0259rar\u0131na g\u0259ldim. Deyim ki, iyirmi ild\u0259n \u00e7oxdur \u015fairin yarad\u0131c\u0131l\u0131\u011f\u0131n\u0131 izl\u0259yir\u0259m; onu \u00e7a\u011fda\u015f milli poeziyam\u0131zda «A\u011f \u015feir»in yarad\u0131c\u0131lar\u0131ndan biri kimi tan\u0131y\u0131ram.<\/strong><\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

B\u0259dirxan \u018fhm\u0259dli<\/em><\/strong><\/p>\n\n\n\n

filologiya elml\u0259ri doktoru, professor<\/strong><\/em><\/strong><\/p>\n\n\n\n

«A\u011f kitab»\u0131ndan sonra «\u0130lk… V\u0259 Son…» v\u0259 \u201cN\u0259f\u0259simin qatili\u201d \u015feirl\u0259r kitablar\u0131n\u0131 oxumu\u015fam. Poetikas\u0131n\u0131n ilm\u0259-ilm\u0259, add\u0131m-add\u0131m nec\u0259 bir t\u0259kam\u00fcl yolu ke\u00e7diyinin \u015fahidi olmu\u015fam. V\u0259 h\u0259mi\u015f\u0259 d\u0259 bu \u015feirl\u0259rin t\u0259hlilinin vacibliyi haqq\u0131nda d\u00fc\u015f\u00fcnm\u00fc\u015f\u0259m. H\u0259r\u00e7\u0259nd bu \u015feirl\u0259r asanl\u0131qla t\u0259hlil\u0259 g\u0259lmir, \u0259n\u0259n\u0259vi t\u0259hlil\u0259 he\u00e7 g\u0259lmir, n\u0259d\u0259n ki, \u015fairin \u015feirl\u0259rinin \u00f6z\u00fc b\u00fct\u00fcn fakturas\u0131, strukturu, b\u0259dii t\u0259svir v\u0259 ifad\u0259 vasit\u0259l\u0259ri, t\u0259\u015fbehl\u0259ri, obrazlar\u0131, ruhu v\u0259 can\u0131 il\u0259 yenidir, orijinald\u0131r… Onun \u015feirl\u0259ri \u0259n\u0259n\u0259vi deyil, moderndir, h\u0259yat\u0131n \u00f6z\u00fc q\u0259d\u0259r t\u0259z\u0259dir. H\u0259r g\u0259l\u0259n g\u00fcn \u0259vv\u0259lkin\u0259 b\u0259nz\u0259m\u0259diyi kimi, onun da \u015feirl\u0259ri he\u00e7 zaman bir-birin\u0259 b\u0259nz\u0259mir. Lakin bu yenilik n\u0259dir v\u0259 n\u0259d\u0259dir? Bunun \u00fc\u00e7\u00fcn \u015fairin yarad\u0131c\u0131l\u0131\u011f\u0131 b\u00fct\u00fcn y\u00f6nl\u0259ri \u2013 estetik funksiyalar\u0131 \u00fczr\u0259 t\u0259hlil edilm\u0259lidir. Bu c\u00fcr imkan\u0131m\u0131z olmasa da, m\u00f6vcud h\u0259cm v\u0259 imkan daxilind\u0259 oxucular\u0131na b\u0259lirl\u0259yici ipucu verm\u0259y\u0259 \u00e7al\u0131\u015facam. O n\u0259sn\u0259l\u0259r \u00fcz\u0259rind\u0259 dayanaca\u011fam ki, \u00e7o\u011funluqla D.Osmanl\u0131 \u015feirin\u0259, poeziyas\u0131 v\u0259 poetikas\u0131na m\u0259xsusdur.<\/p>\n\n\n\n

D.Osmanl\u0131 \u015feirl\u0259rind\u0259 d\u00fc\u015f\u00fcnc\u0259ni ir\u0259li \u00e7\u0131xaran, d\u00fc\u015f\u00fcn\u0259n v\u0259 d\u00fc\u015f\u00fcnd\u00fcr\u0259n \u015fairdir; lakin bu d\u00fc\u015f\u00fcnc\u0259 poetik t\u0259f\u0259kk\u00fcr\u0259 \u0259saslan\u0131r, \u0259n rasional fikrin ifad\u0259sind\u0259 bel\u0259 poetik obrazlara m\u00fcraci\u0259t edir v\u0259 obrazl\u0131 dan\u0131\u015f\u0131r. \u015eeirl\u0259rind\u0259 azadl\u0131\u011f\u0131n, \u00fcmidin, ya\u011f\u0131\u015f\u0131n, qaranl\u0131\u011f\u0131n, i\u015f\u0131\u011f\u0131n, t\u0259nhal\u0131\u011f\u0131n, h\u0259sr\u0259tin, sevginin, sevgisizliyin, \u00f6l\u00fcm\u00fcn v\u0259 daha n\u0259 q\u0259d\u0259r rastla\u015fmad\u0131\u011f\u0131m\u0131z varl\u0131q v\u0259 yoxluqlar\u0131n obraz\u0131n\u0131 yarad\u0131r. Lakin bu obrazlar i\u00e7\u0259risind\u0259 el\u0259l\u0259ri var ki, \u015fairin poetik m\u0259kan\u0131n\u0131n daimi sakinl\u0259ridir. Bu c\u0259h\u0259td\u0259n \u015fairin yarad\u0131c\u0131l\u0131\u011f\u0131n\u0131n ana x\u0259ttini insan\u0131n daxili, m\u0259n\u0259vi ruhi azadl\u0131\u011f\u0131, v\u0259t\u0259n v\u0259 yurd azadl\u0131\u011f\u0131 t\u0259\u015fkil edir. Ancaq D\u0259yan\u0259t bunu o q\u0259d\u0259r orijinallqla edir ki, oxucunu \u00f6z\u00fcnd\u0259n it\u0259l\u0259mir, \u0259ksin\u0259 \u00f6z\u00fcn\u0259 \u00e7\u0259kir. O, v\u0259t\u0259n azadl\u0131\u011f\u0131n\u0131 «da\u011flar\u0131 silk\u0259l\u0259y\u0259n ana bozqurd s\u0259sind\u0259», «a\u015fiq oldu\u011fu hilal»da g\u00f6r\u00fcr. \u015eair obrazlar\u0131n yarad\u0131lmas\u0131 \u00fc\u00e7\u00fcn \u0259n\u0259n\u0259vi haz\u0131rl\u0131q g\u00f6rm\u00fcr, b\u0259z\u0259n bu obrazlar c\u0259mi bir ne\u00e7\u0259 s\u0259tird\u0259 \u015f\u0259kill\u0259nir v\u0259 formala\u015f\u0131r. Obrazyaratma \u00e7ox zaman \u015feirin ad\u0131ndan ba\u015flay\u0131r:<\/p>\n\n\n\n

Azadl\u0131q…<\/strong><\/p>\n\n\n\n

\u00fcz\u00fc paralanm\u0131\u015f
v\u0259t\u0259n g\u00f6yl\u0259rind\u0259
u\u00e7ma\u011fa can atan
v\u0259 h\u0259r ba\u015far\u0131s\u0131z c\u0259hdind\u0259
yer\u0259 d\u00fc\u015f\u0259rk\u0259n
\u00fcr\u0259yi a\u011fz\u0131na g\u0259l\u0259n
anas\u0131z qu\u015f balas\u0131na b\u0259nz\u0259r.<\/strong><\/em><\/p>\n\n\n\n

D\u0259yan\u0259tin \u015feirinin \u00fcf\u00fcql\u0259ri geni\u015fdir, a\u00e7\u0131qd\u0131r v\u0259 a\u00e7\u0131c\u0131d\u0131r. \u015eeiri oxuduqca d\u00fc\u015f\u00fcnc\u0259l\u0259rin daha da a\u00e7\u0131l\u0131r, geni\u015fl\u0259nir, fikir \u00fcst\u00fcn\u0259 fikir g\u0259lir. B\u0259dii fikrin n\u0259hay\u0259tsizliyi \u015feirboyu m\u0259ntiqi ard\u0131c\u0131ll\u0131qla davam edir.<\/p>\n\n\n\n

«Saat t\u0259l\u0259sir g\u0259l\u0259c\u0259y\u0259 ke\u00e7mi\u015fi d\u00f6y\u0259-d\u00f6y\u0259…», «Saat yat\u0131b inild\u0259yir qaranl\u0131q» v\u0259 s. \u015feirl\u0259rind\u0259 bu f\u0259ls\u0259fi m\u0259ntiqi izl\u0259m\u0259k m\u00fcmk\u00fcnd\u00fcr. Birinci \u015feird\u0259 \u015fair ke\u00e7ib g\u0259ldiyi ke\u00e7mi\u015f\u0259 n\u0259z\u0259r salaraq \u00f6z\u00fcnd\u0259n naraz\u0131l\u0131\u011f\u0131n\u0131 ifad\u0259 edir, an\u0131larda ya\u015famaq \u00fc\u00e7\u00fcn i\u015fl\u0259rinin yet\u0259rli olmad\u0131\u011f\u0131n\u0131 bildirir. «Qaranl\u0131qda d\u00f6y\u00fck\u0259n tale», «bir c\u00fct qocalm\u0131\u015f t\u0259ngn\u0259f\u0259s ayaq», «qanla dolu ufac\u0131q \u00fcr\u0259k» v\u0259 s. b\u0259dii detallar obraz\u0131n h\u0259yat\u0131n\u0131n o q\u0259d\u0259r d\u0259 yax\u015f\u0131 ke\u00e7m\u0259diyini g\u00f6st\u0259rir. Lakin m\u0259mnundur ki, bir kims\u0259d\u0259n haqs\u0131z s\u00f6z g\u00f6t\u00fcrm\u0259y\u0259n «ke\u00e7mi\u015fi b\u0259lli bir q\u00fcruru»nu g\u0259l\u0259c\u0259y\u0259 apar\u0131r. \u00dcmumiyy\u0259tl\u0259, \u015fairin \u015f\u0259xsi q\u00fcruru b\u00fct\u00fcn \u015feirl\u0259rind\u0259 poetik «m\u0259n»in \u0259sas x\u00fcsusiyy\u0259tin\u0259 \u00e7evrilir. D\u0259yan\u0259tin \u015feirl\u0259rini b\u0259lirl\u0259y\u0259n faktorlardan biri d\u0259 s\u00f6zl\u0259rin se\u00e7imi, yerind\u0259 i\u015fl\u0259dilm\u0259si v\u0259 s\u00f6zl\u0259r aras\u0131nda qurulan ba\u011flar\u0131n fikir ba\u011flar\u0131na \u00e7evrilm\u0259sidir. B\u00fct\u00fcn bunlar h\u0259r \u015feirin \u00f6z\u00fcn\u0259m\u0259xsus ritmini yaratm\u0131\u015f olur. Onun \u015feirl\u0259rind\u0259, dem\u0259k olar, ritorik he\u00e7 n\u0259 yoxdur. \u015eeirl\u0259rin formas\u0131 v\u0259 ritmi el\u0259 se\u00e7ilir ki, he\u00e7 buna ehtiyac da qalm\u0131r. H\u0259r \u015feirin i\u00e7ind\u0259 bir fikir, h\u0259r fikird\u0259 bir b\u0259dii ideya var, bu ideya b\u0259z\u0259n g\u00f6zl\u0259 g\u00f6r\u00fcn\u00fcr, b\u0259z\u0259n is\u0259 \u015feirin sonunda hadis\u0259l\u0259rin m\u0259ntiqind\u0259n ayd\u0131n olur. Bizc\u0259, onun \u015feirl\u0259rini ya\u015fadan faktorlardan biri poetik ideyan\u0131norijinall\u0131\u011f\u0131 v\u0259 ya\u015far\u0131l\u0131\u011f\u0131d\u0131r. \u0130deya \u015feiri sxematiklikd\u0259n \u00e7\u0131xar\u0131r, ona ruh v\u0259 can verir.<\/p>\n\n\n\n

D\u0259yan\u0259tin \u015feirl\u0259rind\u0259 v\u0259t\u0259n, Qaraba\u011f, yurd bir \u00e7ox hallarda a\u011fr\u0131 kimi t\u0259qdim olunur. V\u0259t\u0259ninazadl\u0131\u011f\u0131n\u0131 h\u0259mi\u015f\u0259 h\u0259r \u015feyd\u0259n ir\u0259lid\u0259 g\u00f6r\u00fcr. Onun bu \u015feirl\u0259ri sanki bir poetik duad\u0131r, el\u0259 bir dua ki, h\u0259r k\u0259sonu dem\u0259li, onunla ya\u015fay\u0131b n\u0259f\u0259s almal\u0131d\u0131r:<\/p>\n\n\n\n

V\u0259t\u0259nd\u0259n g\u0259l\u0259nin olsun…<\/strong><\/p>\n\n\n\n

dolanbac yollar\u0131n tozlans\u0131n<\/strong><\/p>\n\n\n\n

\u0259ll\u0259rin d\u00fc\u015fm\u0259n qan\u0131na bats\u0131n.<\/strong><\/p>\n\n\n\n

Ya\u015f\u0131l \u00e7\u0259m\u0259nl\u0259rind\u0259<\/strong><\/p>\n\n\n\n

ya\u015f\u0131l otlar\u0131n tapdans\u0131n.<\/strong><\/p>\n\n\n\n

Bay\u0131ls\u0131n \u0259trin\u0259 ruhum<\/strong><\/p>\n\n\n\n

m\u0259ni yan\u0131nda g\u00f6r\u00fcnc\u0259<\/strong><\/p>\n\n\n\n

ya\u015f\u0131l g\u00f6zl\u0259rind\u0259 islans\u0131n \u00fcz\u00fcm.<\/strong><\/p>\n\n\n\n

D\u0259yan\u0259t \u015feirl\u0259ri il\u0259 t\u00fcrk dilini qoruma\u011f\u0131n yollar\u0131n\u0131 g\u00f6st\u0259rir, t\u00fcrk \u015feiri poetikas\u0131n\u0131n dilini b\u0259lir\u0259l\u0259yir,yaddan \u00e7\u0131xm\u0131\u015f t\u00fcrk s\u00f6zl\u0259rini pasportla\u015fd\u0131r\u0131r. \u015eeirl\u0259rinin poetik c\u00fcml\u0259 qurulu\u015fundan tutmu\u015f, b\u0259dii t\u0259svir v\u0259ifad\u0259 vasit\u0259l\u0259rin\u0259 q\u0259d\u0259r t\u00fcrk dilinin ic\u0259likl\u0259rin\u0259 \u0259m\u0259l edir. Yazar\u0131n bir amac\u0131 da m\u0259nsub oldu\u011fu xalq\u0131ndilini ya\u015fatmaq, s\u00f6zl\u0259r\u0259 yeni h\u0259yat, yeni can verm\u0259kdir. «A\u011faclar a\u011flad\u0131 kirimi\u015fc\u0259 ilboyu», «\u00d6lm\u0259z an\u0131s\u0131vard\u0131 d\u00fcnya ba\u015f\u0131na dard\u0131», «Azadl\u0131\u011f\u0131 \u00f6ym\u0259y\u0259 birc\u0259 kutsal g\u00fcn olsun», «Yanan umudlar\u0131n i\u015f\u0131\u011f\u0131nda», «\u0130nsanqafas\u0131ndan ucalm\u0131\u015f minar\u0259l\u0259r ba\u015f\u0131nda», «Unudulmaz an\u0131lar\u0131n, t\u00fck\u0259nm\u0259k \u00fczr\u0259 olan anlar\u0131n» v\u0259 s. Poeticbirl\u0259\u015fm\u0259l\u0259r \u015feird\u0259 funksionall\u0131q qazan\u0131r.<\/p>\n\n\n\n

D. Osmanl\u0131 poeziyas\u0131n\u0131n son d\u0259r\u0259c\u0259 verimli estetik d\u00fc\u015f\u00fcnc\u0259 m\u0259kan\u0131 var. Onun \u015feirl\u0259ri Az\u0259rbaycan\u0131n poetik \u0259razisin\u0259 yeni bir intonasiya g\u0259tirmi\u015f, forma v\u0259 m\u0259zmun x\u0259rit\u0259sini z\u0259nginl\u0259\u015fdirmi\u015f, b\u0259dii d\u00fc\u015f\u00fcnc\u0259sini \u00e7oxs\u0259sli etmi\u015fdir. \u0130nan\u0131ram ki, oxucular \u015fairin bu intonasiyas\u0131n\u0131, ritmini tuta bil\u0259c\u0259k, poetik obrazlar\u0131n\u0131 sev\u0259c\u0259k, b\u0259dii-estetik fikrininn i\u015f\u0131qlar\u0131ndan s\u00fcz\u00fcl\u0259n ideya il\u0259 b\u0259sl\u0259n\u0259c\u0259k, k\u0259d\u0259rin\u0259, sevincin\u0259 v\u0259 u\u011furuna \u015f\u0259rik olacaqlar.<\/p>\n\n\n\n

******<\/p>\n\n\n\n

\"\u041d\u0430<\/figure>\n\n\n\n

P.S. T\u018fBR\u0130K: AVMV\u0130B R\u0259hb\u0259rliyi,»Turan Ell\u0259ri» \u0130B \u00fczvl\u0259ri v\u0259 Fedai.az kollektivi Birliyin f\u0259xri \u00fczv\u00fc, \u015fair D\u0259yan\u0259t Osmanl\u0131n\u0131 ad g\u00fcn\u00fc m\u00fcnasib\u0259tiyl\u0259 t\u0259brik edir, uzun \u00f6m\u00fcr, can sa\u011fl\u0131\u011f\u0131 v\u0259 yarad\u0131c\u0131l\u0131q u\u011furlar\u0131 arzulay\u0131r.<\/strong><\/p>\n\n\n\n

100 ya\u015fa, D\u0259yan\u0259t b\u0259y!<\/strong><\/p>\n\n\n\n

\"\u041d\u0430<\/figure>\n\n\n\n
\"\u041d\u0430<\/figure>\n\n\n\n
\"\"\/<\/figure>\n","protected":false},"excerpt":{"rendered":"

«A\u011f \u015feir»d\u0259n ba\u015flanan yol… D\u0259yan\u0259t Osmanl\u0131n\u0131n «H\u0259sr\u0259tin h\u0259zzi» \u015feirl\u0259r kitab\u0131n\u0131 \u00e7apdan \u00f6nc\u0259 oxumaq, tan\u0131\u015f olmaq imkan\u0131 qazand\u0131m v\u0259 d\u0259rhal da ekskl\u00fcziv yazmaq q\u0259rar\u0131na g\u0259ldim.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-7938","post","type-post","status-publish","format-standard","hentry","category-tbrik"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/fedai.az\/index.php?rest_route=\/wp\/v2\/posts\/7938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fedai.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fedai.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fedai.az\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fedai.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7938"}],"version-history":[{"count":1,"href":"https:\/\/fedai.az\/index.php?rest_route=\/wp\/v2\/posts\/7938\/revisions"}],"predecessor-version":[{"id":7941,"href":"https:\/\/fedai.az\/index.php?rest_route=\/wp\/v2\/posts\/7938\/revisions\/7941"}],"wp:attachment":[{"href":"https:\/\/fedai.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fedai.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fedai.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}